Emotional Growth Through the Study of Sanshin

Sanshin literally means three hearts, but from a practical standpoint enables the martial artist to study not only the integration of body, mind and spirit but to examine the elemental archetypes of earth, water, fire, wind and the void. For a moment let us talk about the human forms of these archetypes as seen in personality types. This concept can be understood in its most basic terms. Religion has simplified everything into good and evil. Instead of good and evil if we were to look at positive and negative and further segmenting a masculine and feminine form we can now look at one of these elements as an example which can explain the concept.
I am sure that every one of us has met an example of a man who has had the personality of the element earth. What would that person be like? If they were a positive manifestation of masculine earth, their personality would be supportive, someone whom you could rely on. If they were a negative manifestation of masculine earth you can see how this person would be viewed as stubborn or unchanging. Aside from physical attributes such as size we are looking at personality and a way they would react to any number of situations. How would we deal with someone unyielding and stubborn in their thinking and movement? Perhaps if we were physically stronger and larger or even more unyielding we could have a shoving match either emotionally, verbally or physically. Unfortunately this type of thinking usually has a winner and a loser. The weaker opponent would lose the battle. But if we were to have an understanding and ability to not only understand the personality in terms of elemental archetype but chose the appropriate element to neutralize, defuse or remove any potential conflict there would not be a winner nor loser. There would be no disadvantage to physical or mental strength or even will power. When you know others there is wisdom but to master them requires force. Rather than force use your inner strength to master yourself. If you can learn not only to sense but to also project an archetype devoid of emotion, again using the words of Lao Tzu, the rhinoceros can find no place to thrust their horn, the tiger no place to use their claws and no weapon a place to pierce. So as you can see as the ancients say, Yield and overcome.”
The studies of these elements are vital strategies to understanding the proper attitude when approaching any manner of situation. When you practice keep in mind that there is intention behind every action. There is the intention of your opponent as well as yourself, but there is also a universal intention that you have no control over other than to surrender to. Understanding universal intention and your place within this great mystery allows for the beginning of integration of San Shin. We can train our bodies, mind and spirit, but to what purpose? How do we integrate the three hearts? Because we want to dominate another to our will, or to serve a universal intention to which we were born onto this earth? Through the study of Sanshin you will come to understand emotional growth.

Path notes on use of Kata part I

One of the biggest traps lie when you start to collect Kata. Kata is a way of teaching, and not something to be memorized and used as an application to a specific attack. In a fight there is not time to think or remember what to do. Your body reacts naturally from thousands of hours of practice. My note book at this point is for reference so I can teach what I have forgotten. I attempt to teach my students how to build a beautiful cabinet, not to be the master of hammer and nail. Distance and timing, while wrapping your opponent up in space with nothing to cling to, is just as important as moving freely. You should not worry about making mistakes while training but rather develop a flexible frame of mind which will allow you to flow into a fresh solution. Trying to win, using power and being set in your ways in a real fight will get you killed. Not only do our thoughts influence our bodies but it is also true that our bodies influence our thoughts. Do not try and fit a situation into a pre-set plan, rather adapt to your surroundings. Also once you stop thinking about individual technique and start flowing, there will be no fixed point for your opponent to attack. You must pace yourself while training Kata being careful not to rush. The speed will be there when you need it, but it is much more important to break things down so your flow does not leave openings. When training with a partner try to match their speed and not react to quickly, allow time to see where they are going and only move quickly when you finish technique.

Kamae

Kamae is not just a posture to move from or to but more importantly a manifestation of mental and spiritual power. There is intention and energy that is projected naturally. Part of the process of mastering Kamae is first to feel this natural projection, then to intensify and finally to hide or give a false sense. It is extremely dangerous in the world of real martial arts for your opponent to immediately and clearly see what your intentions are. For a trained fighter this is what exposes the weak points. To understand each Kamae takes time to settle into the frame, to not only study the posture and the way your body feels but to reflect on the reason we move into and out of each frame while practicing Kata. When first learning Kamae I would hold the posture in upwards of 12 to 15 minutes in order feel the weakness in my body. I studied what muscles were being strained, how was my balance and what corrections did I need to make to my posture to correct poor balance. Could I move easily into another Kamae, how must I shift the weight in order to move smoothly? These are the questions you must ask yourself first. After 30 minutes you are able to perceive natural intention. Before deep understanding of Kamae, your martial arts will have no spirit.

Core

In order to apply technique correctly there are many points of study which are actually much more important to understand . In fact the technique is only another form or frame with which we can study the application of these concepts. Although many metaphors transcend the physical it is a primary way that we can communicate and come to understand and transfer knowledge. For example when we speak about flexibility most beginning students of the martial arts may think the reference is to the body only. Flexibility in thinking may be more practical in aiding someone to flow then a limber body. A foundation is critical, but to deviate from the foundation or form is art. Through the practice of technique and the proper understanding of the application we ultimately learn how technique is developed from the fundamentals. It should be the ultimate goal of any martial artist to forget technique after it has served its purpose of exposing and allowing the practice of the fundamentals such as listening with the body, following your opponent’s movement by sticking to ultimately lead to the application of technique. These concepts are difficult to explain without metaphor, technique and forms training. The transmission of this knowledge is non verbal and so almost impossible to describe without a reference point.
In Zen the process teaches, not in words but direct pointing or engaging in a game with ourselves in which the only answer is a new level of consciousness. And so just as in Zen, martial arts training is a game of insight where we can discover who we are underneath the masks and roles that we call personality as well as finding our way to the core principles.
As a student of Budo one can chose to just memorize technique or find the source. Understanding the source is the difference between being and artist or painting by the numbers. Both will get you a nice picture to look at but in Budo could get you killed. I am talking about the deconstruction of technique rather than the focus. In order to build new mental pathways we must practice form. We learn concentration and awareness as we become conscious of our physical transformation. One of the core areas of study is the concept of Juppo Sessho.
Instead of isolating all the points of study I would prefer to explain the integration of a collective of ideas that include core principles such as Koteki Ryoda to facilitate transformation. Movement like good calligraphy should continue with the mind. We do not overextend our body but as we regain balance we must also be concerned with momentum of the body, mind and spirit. Being rooted can be a good place to strike from but can lead to an inability of flow. So how do we balance and root while sticking and following? How do we find the tempo so we may change the timing to leading by following? Ko means tiger and Ryo means dragon, so in some ways this term means combining the physical power of the tiger which is known for its powers of prediction and hunting prowess along with the non-physical or spiritual world of the dragon. We have an image of these two worlds coming together as the world in which we live and the world that permeates us. If you look at koteki as the way a tiger strikes with total abandonment living in the moment, and ryoda as the dragon capture, this combination is a method of interchange between two realms, as the battle that exists within us all of truth and falsehood.

10 Keys of Control

As we follow our opponent’s energy we must find a way to neutralize or deflect then change or reverse their attack. We do this with the 10 keys of control. Most people think of physical direction. There is up and down, left and right or any angle in between as well as forward and backward. If we add in the dimensions of space/ time, and creation through intention we approach a level of control of any situation that transcends blocking, punching and kicking to rudimentary and vulgar forms of interaction. Juppo Sessho is a means of training our awareness to be everywhere, linking our physical body to the universe. We must first receive our attack from a neutral place of no mind. Being soft we adhere to our opponents raising energy with automatic motion and peripheral awareness. We relax and allow our waist to turn, our joints to sink and a unity to form. As we follow the intention of our attacker we appear and disappear with artistry and precision, stepping consciously with peaceful or wrathful gaze. By borrowing and sinking we momentarily root to deliver power of central equilibrium. Using the energies of spiraling and explosive force we uproot and open, we split and we interrupt. The transference of power is only after drawing in your opponent both mentally and physically we borrow their strength and as if shooting an arrow or like a dog shaking water, strike, throw, or cut case by case.

Underlying Principles of Budo

Because of our martial heritage the techniques and applications have already been set down for us by the great masters of the past. We do not need to reinvent the wheel only discover how to use the wheel for ourselves. Striking can be done with many parts of the body from the head to the toes. Whether we are kicking, punching or chopping the movement includes borrowed power from our opponent plus issued power starting from the ground transmitted through our body. Proper striking requires that our posture allow for a stacking of bones so we do not rely on muscle power and an acceleration of inertia as we accelerate through our target to maximize the force. Depending on the strike there is a sequence that must happen. Starting with the letting go and allowing the strike to happen we must also be shifting our weight, turning our waist and feet as if we were throwing, whipping or shaking.
With beginning students of martial arts they are usually concerned with punching and kicking harder. As the student progresses they realize that just like chopping down a tree striking is an accumulation of applications which allow for the finalizing action. One of the applications that must be understood is compression. This occurs when we strike someone in a way that causes them to root which allows for a target that has stopped moving away from us. This is related to loading up a leg by pulling down on the gi before a throw. One of the best ways to compress someone is a focused strike to pressure points as taught in Koshijutsu. As an example picture a thumb strike or boshiken to the side of the neck just under the ear. A typical reaction is the raising of the shoulders and leaning away from the poke. This is compression and allows for the finalizing strike to drop or knock out our opponent. Another name for compression is sealing and if you have ever had the wind knocked out of you then you are familiar with sealing the breath.
Soke Hatsumi has spoken about one of the highest arts as Koppojutsu. Koppo sometimes is referred to as bone breaking art but in reality is the way of unbalancing by displacing the bones. When I think of Koppo I think about multiple bouncing strikes that cave a person down on themselves like one of those toys where you press on the bottom and it just collapses on itself. As you strike the body reacts to the strike, bouncing naturally to the next target and so on will accumulate many small strikes which will again in the tree analogy allow it to fall. In my class I have several students who are at least a foot and half taller than I am. By first striking their legs or floating rib I can always bring their head down to a level where it makes sense to then hit them there. There is also something much deeper going on when you start to collapse someone with Koppojutsu. As the body bends it compresses nerves that branch out from the spinal cord through the spine out to the limbs. As the neck bends it compresses on nerves feeding the arms and makes them weaker, much easier to manipulate, so even if planning on a joint reversal a good way of entering is with Koppo or Koshijutsu. At the very least a well placed punch to the inside of the shoulder will weaken any incoming or possible strike from that arm for several seconds. Bouncing off the shoulder up under the jaw will force the head back and compress the cervical vertebrae possibly keeping that person from stepping backward and allowing a kick to the inside hip causing rotation. The progressive sequence of strikes will topple even the most solid and formidable oaks in the forest.
Do not use strength. If strength is used then the back and neck will be stiff and no energy will flow to the top of the head. If the energy does not flow and the blood does not circulate freely then the spirit cannot rise up. Using strength allows you to easily be manipulated. Use your mind instead of strength. If you can relax the whole body it will help you to avoid being clumsy. Being relaxed also allows the unrestricted flow of blood and energy. By using mind instead of strength we can rely on the connective tissues allowing our movement to be more light, circular and spontaneous.
Avoid expanding the chest. If you expand the chest then energy will be held in the upper body and cause you to be top heavy. Allow the back to raise and that is where you will issue power. When you avoid expanding the chest then you can sink your weight lowering your center of gravity.
Relax the waist. The waist is one of the most vital areas. If power is lacking look to the cause usually being in the waist movement. Once the waist is relaxed you can have a strong foundation but the feet will still be able to move. Relax your shoulders and keep your elbows down. This will allow you to relax your whole body. By relaxing we can deliver much more force in our striking. This may be one of the most difficult things to accomplish especially in during a fight. Relaxation requires release of all tension.
Try to feel the difference between full and empty. Do not allow all the weight to rest on one leg. Being double weighted also keeps you from being light, nibble and effortless rather than heavy and stiff. This principle is very important for balance.
Unify the entire body. The root is in the feet; it is issued through the legs, controlled by the waist and expressed in the hands. There must be a continuous flow of energy throughout the entire body along with a synchronized movement. This unification is also of the body, mind and spirit. Allow the spirit to command the body by raising the spirit and opening the mind. Every movement should be complete, continuous and circular.
Find the stillness in movement. Be patient, slow down and allow the breath to be long and deep. There is a quiet place where we enter when we surrender. Time slows down and allows you to see what your opponent is about to do or is doing. It is this stillness in the movement that allows us to have grace. When we move our posture should be balanced, upright, uniform and even. Stick and follow as a conscious movement by forgetting yourself and not separating from your opponent but rather joining with him.
Remember that energy and force are not the same. Energy comes from the connective tissue and force from the bones. Energy is a property of being soft, flexible and alive. Force is a property of hard and inflexible. Learn to distinguish the difference. When you issue energy it should be like shooting and arrow. The arrow relies on the elasticity of the bow and string which allows delivery of power. Also understand the difference between pulling and repelling. When you pull it should be in the direction of force, and when you repel it should start with the following of energy and then a deflection. Do not use your own force but borrow it from your attacker. If you add too much you will be unable to escape or release and give your opponent momentum to pull you with him.
A dynamic flexibility creates unitary power by not focusing on relaxed flexibility Rather focus on specific points that are not relaxed for greater extension alone. These points can be connective or bone structures that improve extension and power. We are not stretching but strengthening the body’s springing power. Being relaxed and loose does not mean feeling weak. It means that the body can have proper alignment and stability. Once we are relaxed the energy we were born with and inherent can be utilized. Depending on varying degrees of consciousness, mental focus and efficiency using the principles of physics this energy helps us apply proper issuing of both muscle and mind power.
Other methods of delivering power require a compression or storage of energy. By having strong ligaments and the ability to focus using proper strategy, timing and advantageous positioning we can compress and release like a spring. We can also store energy by twisting to create a more penetrating strike as we drill or unwind. There is also a wave like method which is loose and springy. You can compare this energy to the way a wave moves through a whip to its tip. Understanding and the use of these energies are two different things and we gain proficiency only after much perseverance and practice.
By perseverance and practice we can awaken qualities without intellectual pursuit. A few of these goals can be patience, attention, endurance, stamina, ease and will power. Budo is a synthesis of opposites as well as of similarities. Just like finding the stillness in activity we seek a state of being and becoming. We quiet our mind to be more alert and allow no distinction between transient, flowing or arrested time.
Whole body power is where the body acts as a single unit. By delivering your strike through the waist you can accelerate this movement. In addition, the weight of your body should also be used. This movement is a pouncing action coming through the hips. When all the muscles of the body work together in harmony there is an internal opposing power that develops similar to the action of drawing a bow. In other words when the whole body is used the power generated is a release of the opposing power of the muscles. By adding continuity you can then follow your opponent’s movement and continue attacking. You never stop changing and redirecting this power. Think about a tiger who pounces and misses, he will pounce again and again so the pray cannot get away. You must not only understand the martial technique but only by employing these qualities will you master Budo.
Our training must strengthen the connective tissue as well as the muscles or the body. What good is all the other more esoteric training without a strong body able to withstand blows as well as issue all the power you have learned how to develop? So have a good bumper as well as a good engine. Your engine will allow you to keep up with your opponent even if nothing else is working. By training your forms or kata as well as the basics, you can strengthen the body as a bumper and develop the energy needed to fuel your engine.
Be heavy when you engage or when someone contacts you. Employ spring and shaking exploding natural power when you strike. Think about how a dog shakes water off instead of just striking. Do not lose your opponent when they change direction. Even if you knock them down you must stick with them not just watch. You must make your body a part of their body. Be loose not stiff while being heavy. Make sure that all parts of the body are interlocked to become one unit and spiral your movement. Work on increasing your range of motion to allow for extension of the joints. This will keep the weight out of the knees and into the hips. Do not be afraid of experimenting with the movements to make them your own.
Also keep in mind that once you start thinking about what technique you are going to do your opponent can sense this. So let your body work by itself. If you do not know what you are doing than neither can your opponent. To apply these same ideas to your teaching requires you to stop trying to teach but instead show a natural way of movement which your students can then steal for themselves. Manipulate the perceptions of truth and falsehood in order to deceive an opponent. You must force your opponent to draw false conclusions, so that instead of knocking them down you can let them fall down for you. Appearances are deceptive so be aware that when you think there is nothing there is always something.

Understanding Genetic Testing Part I

Most people are relatively sure of their heritage and confident that they have a firm grasp on who they are and where they come from. But how many of us truly know much beyond our great-grandparents? Even the most detailed family tree only goes back a few centuries. If you could, would you want to know who your ancient ancestors were thousands of years ago? Genetic testing is a window back in time allowing us to see specific DNA markers that will link us to our own lost history.
Over the course of this blog I will define terms such as Haplogroups and Polymorphism as well as talk about the science that allows us to identify the specific genes which will unlock our genetic potential. A genetic testing company called Warrior Roots, has developed a unique Warrior Athletic Profile which examines 9 specific genes. These genes give us insight into such traits as your body's ability to build strength or aerobic fitness as well as other factors that play a major role in determining the physical tendencies we possess. I will also explain the role that Mitochondrial DNA testing has in tracing your mother's heritage back thousands of years to its ancient origins. By combining the results of a Y-chromosome male lineage test with Mitochondrial DNA testing we can get the most complete picture of our ancient ancestry.
So stay tuned to the blog as I explain how science has unlocked the origins of your bloodline and established a connection with your perfectly preserved ancient history. Or you can jump right in and have yourself tested with a simple swab kit available at www.warriorroots.com If you are following this blog you can use the discount code (Leon0810) and save yourself quite a bit of money on any testing that you request.
So lets get down to it.... A haplogroup is a group of similar haplotypes that share a common ancestor with a single nucleotide polymorphism (SNP) mutation.
In human genetics, the haplogroups most commonly studied are Y-chromosome (Y-DNA) haplogroups and mitochondrial DNA (mtDNA) haplogroups, both of which can be used to define genetic populations. Y-DNA is passed solely along the patrilineal line, from father to son, while mtDNA is passed down the matrilineal line, from mother to offspring of both sexes. So again what we are say is A Y-DNA haplogroup is defined as all of the male descendants of the single person who first showed a particular SNP mutation, an mtDNA haplogroup is defined as all of the female descendants of the single person who first showed a particular polymorphism, or SNP mutation.
To see a current world haplogroup map go to:
http://www.scs.uiuc.edu/~mcdonald/WorldHaplogroupsMaps.pdf
There are several companies that do this type of testing but Warrior Roots is the only company that not only tests for your ancient migration path but looks at specific genes which is something entirely different!! My next blog entry will explain the terminology and science behind this type of genetic testing and what we can learn from looking at the athletic genes. For an example of what an Athletic Profile Test looks like go to www.warriorroots.com and enter discount code (leon0810) when ordering to save yourself a little money for following my blog.

The Dojo

For most of us we live a life of frustration, anxiety, agitation and addiction. Sometimes it just feels so futile and meaningless. Our brief years of life are filled with difficulties due to circumstances of war, pestilence, famine and many other disturbances. We want a high standard of living within a complex stimulation of the senses, which ultimately makes us less sensitive and in need of even more violent stimulation. We crave distractions of sights and sounds, of thrills crowded into the shortest possible time. We live lives that consist of doing jobs that are boring in order to earn a means to seek relief from our hectic and expensive pleasures. We justify our lives so that we may rear a family because we don’t know what else to do. Either we have faith that there is a life after death or feel that the whole thing is so futile that we spend our whole life pretending that it isn’t. I am not making any secret claims to some mysterious knowledge. I like you are trying to understand the great mystery of why we are here and have chosen a path that seems to suit my personality and give me hope that there is a reason to it all.
At times of expanded consciousness, I understood that that I am a perfect spiritual being living in a body of meat. I am not only attached, but very dependent on this body for the time being. My reasons for getting involved with martial arts, was for the most part an effort to remove fear from my life. Later on the reasons changed as I matured and noticed an underlying pattern that transcended style, label and physical attributes which has kept me going along the path towards protecting the body I have become so dependent on. The Dojo is a place where I can help others motivated by the same concerns for themselves and their families.

Accidents Happen

Some people enter the Dojo empty allowing me to fill their cup; others whose cups are full can still have fun. Either way we can enjoy our time together. I can stop worrying about making it too easy or extremely hard for my students. This I realize is really just part of my own quest anyway. I will share what I can, giving the student some ideas to contemplate. I can help to motivate them and encourage them to work hard. Yet, in the end my words are meaningless as wind in dry grass. Some are capable of hearing the rhythm and not fixate on the notes, of seeing the spaces between and enjoying the time of being present, others collect Kata but are never present. There is no need to memorize the song, but why even listen if you cannot relax and enjoy the process? We have all heard ourselves humming a tune and wondered where we have heard it. Technique when applied correctly is just like that forgotten tune. We can chose to make an accident happen, but when the accident just happens, that truly is the highest level of skill expressed in martial arts.

Fudo Myoo

Fudo Myoo is a wrathful deity. He is portrayed holding a sword in his right hand and a coiled rope in his left hand. With this sword of wisdom, Fudo Myoo cuts through deluded and ignorant minds and with the rope he binds those who are ruled by their violent passions and emotions. He leads them onto the correct path of self control. He is also portrayed surrounded by flames which consume the evil and the defilements of this world. He sits on a flat rock which symbolizes the unshakeable peace and bliss which he bestows to the minds and the bodies of the Buddha. Fudo Myoo transmits the teachings and the injunctions of Buddha to all living beings and whether they agree to accept or to reject these injunctions is up to them. His blue/black body and fierce face symbolize the force of his will to draw all beings to follow the teachings of the Buddha. Nevertheless, Fudo Mayo’s nature is essentially one of compassion and he has vowed to be of service to all beings for eternity.
Fudo Myoo also represents his aspect of service by having his hair knotted in the style of a servant: his hair is tied into seven knots and falls down from his head on the left side. He has two teeth protruding from out of his mouth, an upper tooth and a lower tooth. The upper tooth is pointed downward and this represents his bestowing unlimited compassion who are suffering in body and spirit. His lower tooth is pointed upward and this represents the strength of his desire to progress upward in his service for the Truth. In his upward search for Bodhi and in his downward concern for suffering beings, he represents the beginning of the religious quest, the awakening of the Bodhisattva and the beginning of his compassionate concern for others.
His vow is to do battle with evil with a powerful mind of compassion and to work for the protection of true happiness.

10 Keys of Control

As we follow our opponent’s energy we must find a way to neutralize or deflect then change or reverse their attack. We do this with the 10 keys of control. Most people think of physical direction. There is up and down, left and right or any angle in between as well as forward and backward. If we add in the dimensions of space/ time, and creation through intention we approach a level of control of any situation that transcends blocking, punching and kicking to rudimentary and vulgar forms of interaction. Juppo Sessho is a means of training our awareness to be everywhere, linking our physical body to the universe. We must first receive our attack from a neutral place of no mind. Being soft we adhere to our opponents raising energy with automatic motion and peripheral awareness. We relax and allow our waist to turn, our joints to sink and a unity to form. As we follow the intention of our attacker we appear and disappear with artistry and precision, stepping consciously with peaceful or wrathful gaze. By borrowing and sinking we momentarily root to deliver power of central equilibrium. Using the energies of spiraling and explosive force we uproot and open, we split and we interrupt. The transference of power is only after drawing in your opponent both mentally and physically we borrow their strength and as if shooting an arrow or like a dog shaking water, strike, throw, or cut.

Taking the Martial Path

One of the conflicts that arise in taking the martial path is that at some point there is realization and even an impulse to shrink from the violence we see in the human condition. Although we are trained to perform violence when required and confront death in order to transcend the limits of worldly existence there is a dramatic moral crisis that is central to developing the faith needed to perform our sacred duty. There is a paradox that interconnects disciplined action and freedom. We must explore within ourselves concepts such as duty, discipline, action, and knowledge to allow for our ultimate understanding of phenomenal existence. Our freedom lies in disciplined action that is both performed without attachment to the action itself while being dedicated with loving devotion to those we hold dear. How can we continue to act in a world of pain without suffering and despair and enable ourselves as warriors to control our passion and become men of discipline? The real battlefield is the human body, where within this material realm we struggle to know one’s self.

Introduction of the Author Leon Drucker

Please allow me to introduce myself. My name is Leon Drucker and I have been studying Martial Arts since 1964. My Judo Black belt was received in 1971 by the Legendary Judo Master Professor Takahiko Ishikawa. My 46 years of martial arts experience includes training in Kodokan and Kosen Judo, Jujutsu, Northern Shaolin Kung Fu, and Yang Style Tai Chi Chuan. I have studied Koryu Bujutsu and Budo Taijutsu both in the U.S. and Japan. I have also been licensed to teach Ninpo Taijutsu, (The Art of the Ninja) having received my masters license in 1995 from Grandmaster Hatsumi personally. Today I am one of the most senior instructors of traditional Japanese Kobudo (Old Style Warrior Arts) outside of Japan and one of the very few instructors of Kosen Judo in the world. I have been teaching Mixed Martial Arts (Ultimate Fighting) at my school in Milford, NH for over 18 years. My coaching has produced some of the top fighters in New England including several MMA Champions. I have also cornered, coached and advised a who’s who of MMA Veterans and Champions. I was one of the first martial artists sanctioned by the New Hampshire Boxing Commission as a referee, judge, corner and cut man for Mixed Martial Arts. My School Myofu An Dojo is also headquarters to the International Kosen Judo Federation.
During my last trip to Japan in April to train with some of the last masters of Kobudo and Kosen Judo I was promoted to Renshi and asked to specialize in one particular area of study. Since most of my expertise is in Nei Waza or ground fighting I have decided to focus on training the next generation of nei waza experts through the formation of the International Kosen Judo Federation, Seminars and Blogging.
The blog also gives me an opportunity to tell my story. This is the true story of my 46 year journey through child abuse, heroin addiction, dysfunction and violence to mastery of the martial way. Each encounter whether negative or positive can be an opportunity for us to reevaluate our path, make changes if necessary, or provide us with that missing piece of the puzzle that can move us closer to the great mystery of why we are here. If we allow ourselves the time to reflect we can see that indeed every encounter is sacred and could hold the key to deep understanding of who we are and our place in the great universal intention that we are all part of.